[Note: I just found this post, which I wrote some time in November, and reflects the nonchalance of maternity leave, when one actually has time to do things like go through one's stash.]
I have far too big a yarn stash. It's not as big as those of some knitters who have entire rooms full of yarn and fiber, but it's big enough that I have enough yarn for many more sweaters and socks than I can reasonably be expected to knit in the next decade. Or, let's admit it, two decades.
So I'm trying not to buy yarn. However, I got into my head that I wanted to make Baby R an Anemone Hat. This hat calls for Lorna's Laces Shepherd Worsted, a superwash wool I've long been coveting.
I will not, I said to myself, buy yarn. I surely have some form of superwash worsted-weight wool that I can use. And I went into the basement to see what I could come up with.
What I found:
- A box of acrylic baby yarn my mother gave me years ago.
- Some wonderful variegated alpaca I've been planning for the last 5 years to combine with black alpaca for a patterned sweater.
- Cones of mystery yarn my mother once bought for her now-defunct knitting machine, which I just can't bear to throw away because think of the shawls I could make out of them.
- A box of Peaches and Creme cotton I bought this summer when I caught the Peaches and Creme fever on hearing it was being discontinued. I thought I would weave dozens of dishcloths. Haven't even finished the first one, and the cotton is too thick to weave comfortably on my loom. I had vague plans for a bath mat, which I should perhaps take steps to realize.
- Silk my mother gave me that I'm planning to use for Emerald Seas. (A lot of my stash seems to come from my mother, who clearly passed on the stash gene.)
- Several sweater lots of alpaca and Lopi Light and a really wonderful gray wool, many of them purchased at various Smiley's Yarn Sales. I still plan to make those sweaters, too - that would be the Icelandic sweater, the Inishmore, the Fjalar Sweater, and the list goes on.
- Leftovers from a range of baby blankets, socks, and other projects from over the years.
- Assorted individual skeins I bought on impulse to test - like the Blue Sky Alpacas Organic Cotton I bought with the idea of making a sweater for my husband. It was a little too pricey for a simple cotton sweater, but I recently found another use for that cotton:
(NB: there are two hats because the hat I made when I followed the pattern was large enough to fit my 6-year-old niece. Rather than rip it out, I simply made another, smaller, baby-sized one.)
But no worsted weight superwash -- until, among those assorted skeins, I spotted a center-pull ball. I pulled the ball band out of the middle of the ball and found that, yes, it was a single skein of Lorna's Laces Shepherd Worsted superwash wool, exactly what the pattern called for.
I like to think that on some level I remembered it was down there. But I wouldn't swear I did.
[NB: In the three or so months since I wrote this post, I have not yet managed to knit the Anemone Hat.]
05 December 2011
15 July 2011
Loom-ing problems
Here's a post I seem to have written in July, but never got around to posting.
Last Christmas, I finally lowered my defenses and allowed my husband to get me a loom.
It seemed inevitable, not least because my husband, who has become enamored of all my fiber-related gadgets, has been eager to get me one for a couple of years. And I thought it would be a good idea, seeing as how I'm drowning in fiber and weaving, as we all know, uses up yarn much more quickly than knitting does.
It does, that is, if you actually do it.
Weaving has made me realize anew why knitting is a craft that appeals to me. You can be spontaneous in knitting. You can fudge knitting. And if you mess up, you can rip it out and start again.
Weaving, on the other hand, requires organization. It requires advance planning, working out all your measurements: how wide? how long? how many strands of yarn in the warp? It requires warping. Can we talk warping? It took me two days and I had yarn stretched out over the whole length of the living room. Then I missed one strand. Then I wasn't sure I loved the colors. No recourse, when you're weaving, unless you want to abandon the whole project.
Weaving reminds me of sewing. I was never a good sewer. It requires a kind of detail and fussiness that I've never naturally been good at. With knitting, I can work to master the details and feel a sense of accomplishment. With sewing, I feel there are people who are just naturally better at this kind of thing than I am.
I also confess to a prejudice against the woven product. I mean, how many scarves, table runners, placemats and dish towels does a person need? This is patently foolish since I feel not at all limited when turning out socks and shawls and hats ad nauseam as a knitter, but psychologically the possibility of the occasional sweater offers a vent and a way to avoid the threat of repetition.
When I originally wrote this, I was still working on a weaving project that I started in January and finished in July. I have to grudgingly admit that I kind of liked it when I was finished -- enough that we actually use it (despite its raggedy beginner edges). And I was really proud of my fringe.
I promptly warped the loom with thick cotton to make dish towels.
I got about two inches away from finishing my first dish towel -- and put the loom aside for another 3 months.
I sort of admit that I may weave some things that I like, particularly when I start using thinner yarn - the thick wool and cotton I used in my first two projects make weaving rather slow going.
But I'm not sure it's about to replace spinning and knitting in my craft pantheon - and I'm not sure how much time I'll have to pursue it.
Though I have conceived a project to weave cushion covers for our IKEA dining room chairs, using some twine-tough heathery tweed yarn in two contrasting colors, that definitely has potential.
Last Christmas, I finally lowered my defenses and allowed my husband to get me a loom.
It seemed inevitable, not least because my husband, who has become enamored of all my fiber-related gadgets, has been eager to get me one for a couple of years. And I thought it would be a good idea, seeing as how I'm drowning in fiber and weaving, as we all know, uses up yarn much more quickly than knitting does.
It does, that is, if you actually do it.
Weaving has made me realize anew why knitting is a craft that appeals to me. You can be spontaneous in knitting. You can fudge knitting. And if you mess up, you can rip it out and start again.
Weaving, on the other hand, requires organization. It requires advance planning, working out all your measurements: how wide? how long? how many strands of yarn in the warp? It requires warping. Can we talk warping? It took me two days and I had yarn stretched out over the whole length of the living room. Then I missed one strand. Then I wasn't sure I loved the colors. No recourse, when you're weaving, unless you want to abandon the whole project.
Weaving reminds me of sewing. I was never a good sewer. It requires a kind of detail and fussiness that I've never naturally been good at. With knitting, I can work to master the details and feel a sense of accomplishment. With sewing, I feel there are people who are just naturally better at this kind of thing than I am.
I also confess to a prejudice against the woven product. I mean, how many scarves, table runners, placemats and dish towels does a person need? This is patently foolish since I feel not at all limited when turning out socks and shawls and hats ad nauseam as a knitter, but psychologically the possibility of the occasional sweater offers a vent and a way to avoid the threat of repetition.
When I originally wrote this, I was still working on a weaving project that I started in January and finished in July. I have to grudgingly admit that I kind of liked it when I was finished -- enough that we actually use it (despite its raggedy beginner edges). And I was really proud of my fringe.
I promptly warped the loom with thick cotton to make dish towels.
I got about two inches away from finishing my first dish towel -- and put the loom aside for another 3 months.
I sort of admit that I may weave some things that I like, particularly when I start using thinner yarn - the thick wool and cotton I used in my first two projects make weaving rather slow going.
But I'm not sure it's about to replace spinning and knitting in my craft pantheon - and I'm not sure how much time I'll have to pursue it.
Though I have conceived a project to weave cushion covers for our IKEA dining room chairs, using some twine-tough heathery tweed yarn in two contrasting colors, that definitely has potential.
27 January 2011
Postal blues
I have a friend who is a brilliant silk artist.
She started out painting silk scarves as a hobby. Now, she does glorious hand-painted mandalas. I can't copy the pictures from her website, but I promise you it's well worth going and browsing for a while. (The site is in German text, but my friend speaks English like a native; I'm not sure why she's never gone bilingual with it.)
Over the years, as she has honed her talents, she has given me at least half a dozen stunning scarves. I blogged one of them here. But I also have elephants, seals, floral patterns, abstractions: a cornucopia of beautiful silkiness.
One day last summer, I looked at some fiber in the spinning pile, and realized that it wanted to be a shawl or scarf for my friend. (Never make a gift for someone unless the fiber tells you that's what it wants to be.)
The fiber came out in her colors. I got about 325 yards of chain-ply from three ounces of merino-mohair blend (Spunky Eclectic, once again, colorway "Flowering Weeds").
This being me, I started spinning in early June, thinking I might get it done for her birthday at the end of the month.
I finished knitting the shawl in October.
Before blocking. Note how little of the yarn is left over: it came out just exactly right.
During blocking.
After blocking.
The pattern is Ishbel, by Ysolda Teague. And I wish I had taken some better photos of it. But I blocked it, and then waited another month or so to weave in the two ends (would hate to rush anything), and then I just wanted to get it in the mail.
I sent it in mid-December, thinking that she might possibly have it in time for Christmas. Though I am usually pretty scattered about Christmas and gifts (I am great at thinking of nice things I would like to send people, and not very good about carrying through on my plans), I did manage to get a few things in the mail this year. Even a couple of Christmas cards, though only a couple.
Of course everything takes ages to arrive internationally, especially over the holidays. Still, thanks began to trickle in from people. But earlier this week, I realized I'd never heard from my friend. And after some thought - you hate to push someone to acknowledge a gift they might not have liked! - I wrote her on Facebook to ask if she had gotten a package from me.
Wouldn't you know: it never arrived.
She, being an optimist, assured me that she sent a friend in Florida a package at the start of December, and he only just got it this week. So we hope it went surface mail, and might show up in a week or two.
But wouldn't it just figure that when I finally get around to acting on a nice instinct and making something for someone who has made me so many nice things over the years, it vanishes without a trace...
UPDATE, Jan 31: All it took was a little griping for the postal gods to take note! It arrived today, about seven weeks after I mailed it, with the airmail sticker still on it. And the recipient was very happy.
She started out painting silk scarves as a hobby. Now, she does glorious hand-painted mandalas. I can't copy the pictures from her website, but I promise you it's well worth going and browsing for a while. (The site is in German text, but my friend speaks English like a native; I'm not sure why she's never gone bilingual with it.)
Over the years, as she has honed her talents, she has given me at least half a dozen stunning scarves. I blogged one of them here. But I also have elephants, seals, floral patterns, abstractions: a cornucopia of beautiful silkiness.
One day last summer, I looked at some fiber in the spinning pile, and realized that it wanted to be a shawl or scarf for my friend. (Never make a gift for someone unless the fiber tells you that's what it wants to be.)
The fiber came out in her colors. I got about 325 yards of chain-ply from three ounces of merino-mohair blend (Spunky Eclectic, once again, colorway "Flowering Weeds").
This being me, I started spinning in early June, thinking I might get it done for her birthday at the end of the month.
I finished knitting the shawl in October.
Before blocking. Note how little of the yarn is left over: it came out just exactly right.
During blocking.
After blocking.
The pattern is Ishbel, by Ysolda Teague. And I wish I had taken some better photos of it. But I blocked it, and then waited another month or so to weave in the two ends (would hate to rush anything), and then I just wanted to get it in the mail.
I sent it in mid-December, thinking that she might possibly have it in time for Christmas. Though I am usually pretty scattered about Christmas and gifts (I am great at thinking of nice things I would like to send people, and not very good about carrying through on my plans), I did manage to get a few things in the mail this year. Even a couple of Christmas cards, though only a couple.
Of course everything takes ages to arrive internationally, especially over the holidays. Still, thanks began to trickle in from people. But earlier this week, I realized I'd never heard from my friend. And after some thought - you hate to push someone to acknowledge a gift they might not have liked! - I wrote her on Facebook to ask if she had gotten a package from me.
Wouldn't you know: it never arrived.
She, being an optimist, assured me that she sent a friend in Florida a package at the start of December, and he only just got it this week. So we hope it went surface mail, and might show up in a week or two.
But wouldn't it just figure that when I finally get around to acting on a nice instinct and making something for someone who has made me so many nice things over the years, it vanishes without a trace...
UPDATE, Jan 31: All it took was a little griping for the postal gods to take note! It arrived today, about seven weeks after I mailed it, with the airmail sticker still on it. And the recipient was very happy.
10 January 2011
Ripped (out)
I have spent months letting potential blog posts drift across my mind like those zips at the bottom of cable news channels, adding a layer of ephemeral complexity to an already overcrowded prospect.
I am finally, though, moved to commit words to screen out of sheer frustration. After years of functioning as a reasonably competent knitter, I seem to be losing my ability to complete the simplest of tasks.
It began with these socks. Slippery Socks, from Knitty.com.
These were conceived as a house present for a friend who brought me to her country house last fall. (LAST fall. That would be 2009.) While I was there she admired, extravagantly, the hand-knit socks I was wearing. So what better house present could there be than a pair of socks, made in autumn-leaf colors to commemorate our weekend of "leaf-peeping?"
Now, I have been known to knock off a pair of socks in a matter of weeks. See my last post. I can even knit socks faster than I can photograph them, as evidenced by this image of a half-knitted, toeless sock that was actually completed six months ago and has been in regular rotation since.
And these "leaf-peeping" socks were moving along swimmingly. Only, I realized, as I made my way up the leg of the first (toe-up) sock, that they might be a little big. I tried them on and realized that they were a little big ON ME, and would therefore be able to do double duty as a sleeping bag for my petite friend.
I responded as I usually do. I put the unfinished sock in the corner for a number of months, as punishment.
Some time THIS fall (we're talking 2010 now), I finally ripped it back to the toe and started a whole new sock in a whole new pattern: Leyburn socks, which I'd been wanting to make for a long time. (I liked the way the Slippery looked, but I found the pattern a little fiddly.)
Well and good. Yet somehow, I ended up having to rip out these socks several times.
The first sock was too big, again. Ripped back, reknit. Then I started the second sock. Messed up the heel. Ripped back, reknit. Realized I had left out some pattern increases. Ripped back, reknit. Realized I had left those increases out of the first sock, too. Ripped back, reknit.
I got into a veritably manic state about these socks. I wondered if they would ever be finished, or if I would be condemned to continue knitting them for the next ten years.
Finally, they're done. I think one of them is still too big. And the floats look awfully loose. They might benefit from a spin in the washing machine. But I have entered the "it's-the-thought-that-counts" stage. This represents a terrible loss of knitter's pride. Obviously I have reached a new low. But I did a great job on the packaging.
So, those socks are all ready to send off. And this weekend I was faced with the prospect of wrapping up other unfinished objects, and catching up on spinning. Logically enough, I woke up on Saturday morning suddenly inflamed - perhaps "consumed" is a better word - with the realization that I had, in my stash, the perfect yarn with which to make a sweater I've had my eye on: Debbie Bliss's Divided Front Tunic. Somehow it takes several weeks for ideas to percolate in the brain until the notion of "yarn-being-saved-for-sweater" and "sweater-I-want-to-knit" bump up against each other and prompt the chemical reaction that leads to immediate, willful casting on -- without even swatching. (Cue ominous music.)
I knit all Saturday morning. Then I calculated the yardage and realized that if I knit the pattern in the size I'd chosen, I wouldn't have enough yarn to finish.
So I ripped out my work from Saturday, and cast on again, one size smaller. Still without thinking to MEASURE what I'd ripped out.
By the end of Sunday, I had about 10 inches of the back. At which point I actually looked at it and thought it seemed generously proportioned, even for a loose-fitting garment. When I measured, I discovered that I was so far from getting gauge that my sweater was not a size M, but a size XXXL.
I will not let myself be defeated. I want to wear this sweater while the weather is still cold. So I am pledged, today, to rip it out again and hope that the third time is the charm.
But I long for the days when I simply sat down and knit, and made things that fit.
I am finally, though, moved to commit words to screen out of sheer frustration. After years of functioning as a reasonably competent knitter, I seem to be losing my ability to complete the simplest of tasks.
It began with these socks. Slippery Socks, from Knitty.com.
These were conceived as a house present for a friend who brought me to her country house last fall. (LAST fall. That would be 2009.) While I was there she admired, extravagantly, the hand-knit socks I was wearing. So what better house present could there be than a pair of socks, made in autumn-leaf colors to commemorate our weekend of "leaf-peeping?"
Now, I have been known to knock off a pair of socks in a matter of weeks. See my last post. I can even knit socks faster than I can photograph them, as evidenced by this image of a half-knitted, toeless sock that was actually completed six months ago and has been in regular rotation since.
And these "leaf-peeping" socks were moving along swimmingly. Only, I realized, as I made my way up the leg of the first (toe-up) sock, that they might be a little big. I tried them on and realized that they were a little big ON ME, and would therefore be able to do double duty as a sleeping bag for my petite friend.
I responded as I usually do. I put the unfinished sock in the corner for a number of months, as punishment.
Some time THIS fall (we're talking 2010 now), I finally ripped it back to the toe and started a whole new sock in a whole new pattern: Leyburn socks, which I'd been wanting to make for a long time. (I liked the way the Slippery looked, but I found the pattern a little fiddly.)
Well and good. Yet somehow, I ended up having to rip out these socks several times.
The first sock was too big, again. Ripped back, reknit. Then I started the second sock. Messed up the heel. Ripped back, reknit. Realized I had left out some pattern increases. Ripped back, reknit. Realized I had left those increases out of the first sock, too. Ripped back, reknit.
I got into a veritably manic state about these socks. I wondered if they would ever be finished, or if I would be condemned to continue knitting them for the next ten years.
Finally, they're done. I think one of them is still too big. And the floats look awfully loose. They might benefit from a spin in the washing machine. But I have entered the "it's-the-thought-that-counts" stage. This represents a terrible loss of knitter's pride. Obviously I have reached a new low. But I did a great job on the packaging.
So, those socks are all ready to send off. And this weekend I was faced with the prospect of wrapping up other unfinished objects, and catching up on spinning. Logically enough, I woke up on Saturday morning suddenly inflamed - perhaps "consumed" is a better word - with the realization that I had, in my stash, the perfect yarn with which to make a sweater I've had my eye on: Debbie Bliss's Divided Front Tunic. Somehow it takes several weeks for ideas to percolate in the brain until the notion of "yarn-being-saved-for-sweater" and "sweater-I-want-to-knit" bump up against each other and prompt the chemical reaction that leads to immediate, willful casting on -- without even swatching. (Cue ominous music.)
I knit all Saturday morning. Then I calculated the yardage and realized that if I knit the pattern in the size I'd chosen, I wouldn't have enough yarn to finish.
So I ripped out my work from Saturday, and cast on again, one size smaller. Still without thinking to MEASURE what I'd ripped out.
By the end of Sunday, I had about 10 inches of the back. At which point I actually looked at it and thought it seemed generously proportioned, even for a loose-fitting garment. When I measured, I discovered that I was so far from getting gauge that my sweater was not a size M, but a size XXXL.
I will not let myself be defeated. I want to wear this sweater while the weather is still cold. So I am pledged, today, to rip it out again and hope that the third time is the charm.
But I long for the days when I simply sat down and knit, and made things that fit.
07 June 2010
Monkeying around
Some time in April, I saw a post on Ravelry asking if anybody would be willing to make socks in exchange for sock yarn.
Anyone who knows me in the real world knows that the last thing I have time to do is make socks. Plus, I have several things on my needles for other people. One of them has lingered there for two years.
So, of course, "I can do that," I thought.
Funnily enough it was a kind of "aha" moment. I still think of myself as a beginning knitter, a newcomer to the hobby. Not as someone who can knock off a pair of socks in a couple of weeks. But this, I knew I could do. And I was invigorated by the prospect of knitting for a knitter, for someone who would really get it.
The clincher was that she and I have the same size feet (as in, large). It's so much easier to knit socks when you can try them on. (One of my projects that's languishing on the needles is a pair of socks I started for a friend; after I finished one foot, I discovered that the sock fit me, and would therefore be far too big for my friend. I will probably just start over.)
The person requesting this is a talented dyer who wanted a pair of socks knit with her own yarn to wear to a fiber show, and didn't have time to knit them up herself.
The result: I got to knit a pair of Monkey socks with some really lovely hand-dyed yarn in a wonderful spring-like palette, with every stitch a little fleck of a different color.
I finished one sock and then learned I had to find a new place to live. In a month. Which I did. But it meant the second sock was right down to the wire. I finished it on a plane flight, and express-mailed it to make sure it would get there in time.
In the haste of finishing, I overlooked one small detail. I miscounted the number of pattern repeats on the second sock. I knit an extra one. When I realized this I almost cried. It was too late to rip it out and fix it. Knitter's dilemma: do you tell the recipient or not? I decided not to. Somehow I felt it would tarnish the socks for her if she knew they were different sizes. And after all, knitting stretches; both socks fit me perfectly well. I have opted to let her know this way: Angela, if you ever see this blog, my apologies for the mistake, and the deception. I promise if I ever knit you socks again, they will be perfect. But think of this as the endearing detail that lets you remember they're hand-knit.
It would behoove me to post pictures of the gorgeous yarn I got in return for doing this project. Unfortunately, it's in a packing box, along with the rest of my life, on its way to my new home.
But I did get a picture of the new sock with a Monkey sock I made about three years ago out of Koigu PPM. The pair has held up really well, and given me a real appreciation for this pattern. (The new socks were knit with size 1 needles - 7 pattern repeats for the leg and foot, where the old ones, on size 2 needles, took 6. But both fit equally well.)
Anyone who knows me in the real world knows that the last thing I have time to do is make socks. Plus, I have several things on my needles for other people. One of them has lingered there for two years.
So, of course, "I can do that," I thought.
Funnily enough it was a kind of "aha" moment. I still think of myself as a beginning knitter, a newcomer to the hobby. Not as someone who can knock off a pair of socks in a couple of weeks. But this, I knew I could do. And I was invigorated by the prospect of knitting for a knitter, for someone who would really get it.
The clincher was that she and I have the same size feet (as in, large). It's so much easier to knit socks when you can try them on. (One of my projects that's languishing on the needles is a pair of socks I started for a friend; after I finished one foot, I discovered that the sock fit me, and would therefore be far too big for my friend. I will probably just start over.)
The person requesting this is a talented dyer who wanted a pair of socks knit with her own yarn to wear to a fiber show, and didn't have time to knit them up herself.
The result: I got to knit a pair of Monkey socks with some really lovely hand-dyed yarn in a wonderful spring-like palette, with every stitch a little fleck of a different color.
I finished one sock and then learned I had to find a new place to live. In a month. Which I did. But it meant the second sock was right down to the wire. I finished it on a plane flight, and express-mailed it to make sure it would get there in time.
In the haste of finishing, I overlooked one small detail. I miscounted the number of pattern repeats on the second sock. I knit an extra one. When I realized this I almost cried. It was too late to rip it out and fix it. Knitter's dilemma: do you tell the recipient or not? I decided not to. Somehow I felt it would tarnish the socks for her if she knew they were different sizes. And after all, knitting stretches; both socks fit me perfectly well. I have opted to let her know this way: Angela, if you ever see this blog, my apologies for the mistake, and the deception. I promise if I ever knit you socks again, they will be perfect. But think of this as the endearing detail that lets you remember they're hand-knit.
It would behoove me to post pictures of the gorgeous yarn I got in return for doing this project. Unfortunately, it's in a packing box, along with the rest of my life, on its way to my new home.
But I did get a picture of the new sock with a Monkey sock I made about three years ago out of Koigu PPM. The pair has held up really well, and given me a real appreciation for this pattern. (The new socks were knit with size 1 needles - 7 pattern repeats for the leg and foot, where the old ones, on size 2 needles, took 6. But both fit equally well.)
22 January 2010
Memorial
I cast on for Bitterroot on a Wednesday night, although (because?) I had other things on the needles I needed to finish.
On Thursday I learned that the son of close friends was killed in the earthquake in Haiti.
Funny I never finished this post, which has been lingering in my "edit" box for months, perhaps because it touched on weightier subjects than I really felt like going into.
It was clear to me, though, that the shawl was meant to go to my friends as a remembrance of the child they lost, or simply as a hug. It seemed all the more predestined when I took another look at the epigraph that opens the pattern, which is about a grieving mother.
Knitting it was certainly a way to work through my emotions about it. And the yarn reminded me of the person who died: bright and vivid and unusual, knitting up like a flame.
What struck me particularly was the way that the uneven, handspun yarn knit up into a fabric that was much stronger than the sum of its parts: all the thick and thin bits evened out into a shawl that was strong and bright. Something there about the way that memory glosses over life's unevennesses until we're left with something much firmer than it seemed at the time, and the ups and downs that once seemed so important (my yarn is breaking!) don't really matter. A parable of human relationships.
This shawl was a big part of my winter, and then was finished, and transformed from its chrysalis-like unblocked state into a wide-winged butterfly, and sent off to my friends, who said (perhaps tactfully) that it did bring comfort.
Edited to add: I see that this post went up with the date I originally started it: January 22. Today is June 3. That's indicative of the speed of my knitting life these days.
On Thursday I learned that the son of close friends was killed in the earthquake in Haiti.
Funny I never finished this post, which has been lingering in my "edit" box for months, perhaps because it touched on weightier subjects than I really felt like going into.
It was clear to me, though, that the shawl was meant to go to my friends as a remembrance of the child they lost, or simply as a hug. It seemed all the more predestined when I took another look at the epigraph that opens the pattern, which is about a grieving mother.
Knitting it was certainly a way to work through my emotions about it. And the yarn reminded me of the person who died: bright and vivid and unusual, knitting up like a flame.
What struck me particularly was the way that the uneven, handspun yarn knit up into a fabric that was much stronger than the sum of its parts: all the thick and thin bits evened out into a shawl that was strong and bright. Something there about the way that memory glosses over life's unevennesses until we're left with something much firmer than it seemed at the time, and the ups and downs that once seemed so important (my yarn is breaking!) don't really matter. A parable of human relationships.
This shawl was a big part of my winter, and then was finished, and transformed from its chrysalis-like unblocked state into a wide-winged butterfly, and sent off to my friends, who said (perhaps tactfully) that it did bring comfort.
Edited to add: I see that this post went up with the date I originally started it: January 22. Today is June 3. That's indicative of the speed of my knitting life these days.
14 August 2009
My Sock Summit
Viewing all the sock yarns that were submitted on Ravelry's "Dye for Glory" page (alas, since taken down, but here are the winners) sent me into some kind of psychedelic haze markedly similar to that induced by the ingestion of hallucinogenic drugs. I left my greedy perusal of the 201 yarns on that site with a sense of exhaustion, itchy fingers, exhilaration, addiction, and a need to knit socks.
Now, of course, I have sock yarns. A lot of them. In fact, I issued to myself a temporary sock-yarn-buying moratorium (along with the theoretical moratorium on acquiring spinning fiber that I keep threatening to make a reality by suspending my fiber club memberships. Thank heaven I'm too much of a procrastinator to act on that one).
But there I was a week or so later, in the yarn shop in Kirkby-Lonsdale, which seemed to me to have come up in the world considerably since I was last there. This was because 1. they had Peruvian yarns in addition to their Brigantia (they're my sole source for the latter) and 2. the nice lady behind the counter, who was knitting a sock, was on Ravelry. Now, how can you resist a fellow sock-knitter on Ravelry?
Ergo: my sock summit.
Not that I've started actually knitting a sock with it, you understand. We're still at the petting stage while I forge away on Belinda and on the several pounds of raw Swaledale fleece my stepfather bought me as a surprise present. (Gotta love those surprise presents.)
Now, of course, I have sock yarns. A lot of them. In fact, I issued to myself a temporary sock-yarn-buying moratorium (along with the theoretical moratorium on acquiring spinning fiber that I keep threatening to make a reality by suspending my fiber club memberships. Thank heaven I'm too much of a procrastinator to act on that one).
But there I was a week or so later, in the yarn shop in Kirkby-Lonsdale, which seemed to me to have come up in the world considerably since I was last there. This was because 1. they had Peruvian yarns in addition to their Brigantia (they're my sole source for the latter) and 2. the nice lady behind the counter, who was knitting a sock, was on Ravelry. Now, how can you resist a fellow sock-knitter on Ravelry?
Ergo: my sock summit.
Not that I've started actually knitting a sock with it, you understand. We're still at the petting stage while I forge away on Belinda and on the several pounds of raw Swaledale fleece my stepfather bought me as a surprise present. (Gotta love those surprise presents.)
Subscribe to:
Posts (Atom)